The beautiful Rila Monastery is Bulgaria’s spiritual heart. Photo by Canva

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The bus groaned as it climbed through the Rila Mountains, the engine’s hum blending with the occasional gasp of wind slicing through the trees. Nataliya and I leaned into the window, watching the dense forests give way to vistas of jagged peaks and valleys blanketed in a patchwork of green and brown.

This was our pilgrimage to Rila Monastery, Bulgaria’s spiritual heart and a UNESCO World Heritage site, hidden within the untamed embrace of its namesake mountains.

First Glimpses of Majesty

Visiters marvel at the monastery and sceneryVisiters marvel at the monastery and scenery
Visiters marvel at the monastery and scenery. Photo by Eric D. Goodman

As the bus rattled to a stop, we were struck by the towering stone walls of the monastery, standing as an unyielding sentinel to centuries of devotion. The Hrelyo Tower, rising like a steadfast guardian, dominated the courtyard.

Built in the 14th century, its stone façade bore scars of history. However, its resilience spoke to the enduring faith of the monks who had built it. The surrounding walls seemed to hold time itself, enclosing a sanctuary that thrived despite centuries of turmoil.

Passing through the arching gateway, we entered a world of tranquility. The courtyard buzzed with life. Pilgrims murmured prayers, tourists clicked their cameras and pigeons fluttered from eave to eave.

A kiosk near the entrance caught our attention, tended by an elderly woman wrapped in a brightly embroidered headscarf. Her hands moved deftly over her goods: Orthodox crosses and small wooden magnets painted with images of the monastery.

We purchased a few, her gentle smile and quiet blessing adding an intangible warmth to the keepsakes.

A Canvas of Divine Stories

The frescoe-covered courtyard covers three sides of Rila's Church of the Nativity of the Virgin.The frescoe-covered courtyard covers three sides of Rila's Church of the Nativity of the Virgin.
The frescoe-covered courtyard covers three sides of Rila’s Church of the Nativity of the Virgin. Photo by Eric D. Goodman

At the center of the courtyard stood the Church of the Nativity of the Virgin. Its domes gleamed in the sunlight.

Its exterior walls were a masterpiece, a tapestry of frescoes that seemed to pulse with life. Every surface was adorned with vibrant colors and intricate depictions of saints, angels, and biblical narratives.

We lingered before the famed fresco of the Last Judgment. It sprawled across the façade like an ancient morality play, capturing the eternal struggle between good and evil.

On one side, the righteous ascended toward heaven, their faces serene, their robes flowing with ethereal light. On the other, the damned were plunged into a fiery abyss, grotesque demons clawing at their writhing forms.

Images of the damned in the Last JudgementImages of the damned in the Last Judgement
Images of the damned in the Last Judgement frescoe. Image from Canva

The message was clear, but not without nuance—justice, mercy and the promise of redemption entwined in every detail.

Nearby, scenes from the Old Testament leapt to life, their vibrancy undiminished by time. Noah’s Ark floated on swirling blue waves, its occupants peering anxiously from within.

Above it, Elijah’s chariot blazed across the heavens, its fiery wheels a symbol of divine will. Saints stood in solemn procession, their halos radiant, their gestures inviting us to ponder the mysteries they represented.

Every brushstroke seemed imbued with a deeper truth, an invitation to meditate on the eternal.

Stepping Into the Sacred

Frescoes cover every inch of the courtyard surrounding Rila’s Church of the Nativity of the Virgin. Photo by Eric D. Goodman

Inside the church, the air was cool and fragrant with incense. Candles flickered in their sconces, casting golden light on the gilded iconostasis that stretched nearly to the ceiling. It was a marvel of craftsmanship, its intricate carvings adorned with saints and symbols that seemed almost to breathe under the glow of the candles.

The murals here were no less stunning than those outside. The dome above us held Christ Pantocrator. His serene face commanded the heavens, surrounded by concentric rings of angels and saints.

The walls told stories in vivid hues: the Annunciation, the Nativity, the Crucifixion and the Resurrection. Each scene drew the eye, its details pulling us into a narrative that transcended language.

The silence was profound, broken only by the shuffling of feet and the occasional whispered prayer. I found myself rooted in place, overwhelmed by the weight of centuries of devotion that seemed to seep from the very walls.

Closeup of the frescoes in the Rila church's courtyardCloseup of the frescoes in the Rila church's courtyard
Closeup of the frescoes in the Rila church’s courtyard. Photo by Eric D. Goodman

Simple Pleasures Beyond the Walls

After leaving the church, we wandered deeper into the monastery complex. Behind the towering walls, we stumbled upon a small shop, a hidden gem offering respite to travelers.

The smell of freshly brewed coffee mingled with the sweet aroma of pastries. We ordered mekitsi, a regional specialty—a type of fried dough dusted with powdered sugar and served with tangy yogurt. Warm, soft, and slightly crispy at the edges, they were a revelation.

Sitting on a simple wooden bench, we sipped our coffee and shared the treat. The flavors were a perfect complement to the crisp mountain air.

As we explored further, a monk crossed our path, his pace measured, his black robes flowing with quiet elegance. His expression was serene, his hands clasped in silent contemplation.

For a moment, the modern world seemed to fall away, leaving us alone in this timeless place where devotion and simplicity ruled.

Later, we learned that pilgrims, artists and writers could arrange to stay at the monastery. The thought intrigued us—simple accommodations, meals shared with the monks and days filled with contemplation and creativity.

Nataliya imagined herself sketching the frescoes, while I envisioned crafting stories inspired by the sacred stillness. It felt like an invitation from another era, one we might accept in the future.

A View From Above

From Rila's courtyard, the church, the monastery, and the tree-lined mountians.From Rila's courtyard, the church, the monastery, and the tree-lined mountians.
From Rila’s courtyard, the church, the monastery, and the tree-lined mountains.
Photo by Eric D. Goodman

The monastery’s beauty wasn’t confined to its walls. A trail led us upward through the forest, its path lined with pine trees whispering in the wind.

The climb was gentle at first, then steepened, each step offering a new angle of the valley below. After an hour, we emerged at a vantage point that took our breath away.

From here, the monastery seemed like a jewel set within the rugged embrace of the mountains. Its domes and towers rose above the tree line, their silhouettes stark against the backdrop of snow-dusted peaks. The scene was one of harmony, a balance between human ingenuity and nature’s grandeur.

The sun cast a golden glow over the valley below, painting the monastery in a warm, ethereal light. We made our way back down the trail, the scent of pine needles and crisp mountain air filling our lungs.

Rila Monastery seemed almost otherworldly, bathed in the golden afternoon sun.

A Stop at Boyana Church

The 12th century Boyana Church flanked by sequoia treesThe 12th century Boyana Church flanked by sequoia trees
The 12th-century Boyana Church is flanked by sequoia trees. Photo by Eric D. Goodman

The journey back to Sofia offered one final detour—a stop at the Boyana Church, nestled in the leafy embrace of Mount Vitosha. Its modest exterior, a blend of weathered stone and wood, gave little hint of the treasures within.

Crossing its threshold was like stepping into another era, where faith and artistry intertwined to create something extraordinary. Inside the church, we were drawn to the frescoes, their vivid colors and human expressions mesmerizing in the dim light.

The intimate scale of the church amplified the intensity of the artwork, making it feel as if the saints and figures were right there with us.

Painted in 1259, the frescoes were a revolution in medieval art. Their realism and individuality paved the way for styles that would not flourish in Europe for another two centuries.

One figure, Saint Nicholas, captivated us beyond all others with his piercing eyes that seemed almost alive. Our guide explained that this particular fresco was renowned for its uncanny ability to follow visitors as they moved through the room.

Sure enough, as I stepped from one side of the nave to the other, his gaze tracked me with unwavering intensity. It was both unsettling and mesmerizing, as though the saint himself were present, silently observing.

The other frescoes told their stories with unparalleled clarity. Scenes from the life of Saint Nicholas unfolded in striking detail, showing his miracles in vivid narrative—saving sailors from a storm, delivering gold to a struggling father, guiding the lost with his benevolent hand.

On another wall, Kaloyan and Desislava, the noble patrons of the church, stood in regal splendor,  their finely detailed attire reflecting the artistry of 13th-century Bulgaria. Their faces were rendered with such precision that you could imagine their thoughts and their personalities etched into history.

The frescoes also portrayed the donor Sebastocrator Kaloyan and his wife Dessislava, Each scene, whether biblical or historical, pulsed with emotion, bridging the centuries between their creation and our visit.

Echoes of a Distant Land

Before leaving, our guide pointed out two sequoia trees standing in the churchyard, their massive trunks towering over the modest structure. These silent giants had been a gift from California in the late 19th century, their presence as unexpected as it was awe-inspiring.

“Remember those giant sequoias we saw in Yosemite?” Nataliya asked, her eyes wide with wonder. “These ones are almost as big!”

I nodded in agreement. “It’s incredible how these trees have stood the test of time, just like the frescoes inside the church. They’re a testament to the enduring power of nature.”

As we stood beneath their sprawling branches, the Boyana Church left us with a final impression: its frescoes, its stories and even its foreign trees were not just relics of the past but living echoes, reminders of how history watches and shapes us. And sometimes, if we pay attention, it meets our gaze with startling clarity.

The sequoias, transported from California’s ancient forests to this small Bulgarian churchyard, seemed as eternal as the frescoes within. Together, they created a profound sense of connection, not only across continents but also across time—living monuments to the endurance of beauty and faith.

Twilight Reflections

The mountain scenery is as stunning as the monasteryThe mountain scenery is as stunning as the monastery
The mountain scenery is as stunning as the monastery. Image from Canva

As we boarded the bus back to Sofia, we carried with us the lasting impressions of both Rila Monastery and Boyana Church. Each historical site was full of manmade beauty, amazing architecture, fantastic frescoes and surrounded by the best nature has to offer.

Each destination seemed built out of the yearning for meaning and was located in an ideal spot for that purpose. The mountains offered refuge, the frescoes demanded reflection and the quiet rhythm of monastic life whispered a reminder of the beauty found in simplicity. By the day’s end, we felt compelled to say it: Amen.

If You Go

Most Western tourists visiting Rila and the Boyana Church are likely doing so as a side trip to their visit to Sofia. We found our accommodations at Art Hotel 158 to be comfortable and walkable, just a few minutes walk from the old town city center and pedestrian street. The hotel provided a hearty breakfast of eggs, tomatoes, potatoes, and the unique Bulgarian cheese each morning.

Bus tours from Sofia to Rila can be found locally or before leaving home on such sites as TripAdvisor and Viator. A number of companies offer day tours like the one we took.

For the more adventurous (or those looking for a unique experience), the Rila Monastery offers lodging for pilgrims, artists, writers, or others seeking an isolated retreat in the serenity of the mountains. Such long-term visitors stay in a simple room and can dine with the monks. This writer noted it as a possible future writing getaway. 

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Eric D. Goodman is author of seven books, including Faraway Tables (Yorkshire Publishing, 2024), Wrecks and Ruins (Loyola University’s Apprentice House Press, 2022), The Color of Jadeite (Apprentice House, 2020), Setting the Family Free (Apprentice House, 2019), Womb: a novel in utero (Merge Publishing, 2017), Tracks: A Novel in Stories (Atticus Books, 2011), and Flightless Goose (Writer’s Lair, 2008) and more than 100 published travel stories, short stories and articles. He’s also co-founder and curator of the Lit and Art Reading Series, Baltimore’s longest-running literary salon, and BrickHouse Books, Maryland’s oldest independent press. You can learn more about Eric and his writing at www.EricDGoodman.com.

Eric D. GoodmanEric D. Goodman
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